Overview
The present study offers a reevaluation of the Arabic literary dispute over Abū Tammām and badīʿ. It then proposes a redefinition of his diwan and of his major anthology, the Ḥamāsah, as a metapoesis that served to decode the poetic tradition of the pre-Islamic desert for the Islamic ʿAbbāsid caliph and his urbane and urban courtiers and subjects, and conversely, to encode contemporary Arab-Islamic political experiences in classical form.
This book is extensively illustrated with original translations.
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