Overview
For the first time, this book connects the genealogy of the image of the witch from historical to contemporary artists. It intertwines artistic purpose with social ills and equity issues and probes how this narrative is exposed and curated in museums and memorials focused on witchcraft.
The collection of images, artist interviews, and a case study of the two artists that make up Hilma’s Ghost provide recognition and a new context for this important and rapidly growing art movement.
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