Overview
A rediscovered "masterpiece" (Kirkus) of Black American literature first published in 1950, about an unlikely friendship in a West Virginia town
In this masterpiece of metafiction set in the Rome of the tumultuous 1960s, Black American expatriate Bill Demby narrates his attempts to write a novel about his friend Doris, another Black American working as one of Elizabeth Taylor’s handmaidens in the filming of Cleopatra. Utterly dependent upon Doris for the development of his novel, Demby is both a participant in and observer of her life as she begins an affair with an Italian count. Demby’s growing emotional and artistic involvement in the tumultuous affair of his character-friend leads him on an existential quest for the meaning of truth and fiction, both lived and created, in a world torn by the social upheaval of the early sixties.
First published in 1965, The Catacombs is gripping and genre-reshaping novel by a rediscovered great of twentieth-century Black American writing, about what it means to write at the dawn of a new era.
In this masterpiece of metafiction set in the Rome of the tumultuous 1960s, Black American expatriate Bill Demby narrates his attempts to write a novel about his friend Doris, another Black American working as one of Elizabeth Taylor’s handmaidens in the filming of Cleopatra. Utterly dependent upon Doris for the development of his novel, Demby is both a participant in and observer of her life as she begins an affair with an Italian count. Demby’s growing emotional and artistic involvement in the tumultuous affair of his character-friend leads him on an existential quest for the meaning of truth and fiction, both lived and created, in a world torn by the social upheaval of the early sixties.
First published in 1965, The Catacombs is gripping and genre-reshaping novel by a rediscovered great of twentieth-century Black American writing, about what it means to write at the dawn of a new era.
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