In "Structures of Rime," the open series begun inĀ
The Opening of the FieldĀ and continued in this volume, Duncan works with ideas, forces, and persons created in language itselfāāthe life and identity of the poet in the poem. With the first thirty poems of "Passages," which form the structural base inĀ
Bending the Bow, he has begun a second open seriesāāa multiphasic projection of movements in a field, an imagined universe of the poem that moves out to include all the terms of experience as meaning. Here Duncan draws upon and in turn contributes to a mode in American poetry where PoundāsĀ
Cantos, Williamsās
Paterson, Zukofskyās āA,ā and Olsonās
Maximus Poems have led the way. The chronological composition ofĀ
Bending the BowĀ emphasizes Duncanās belief that the significance of form is that of an event in process. Thus, the poems of the two open series belong ultimately to the configuration of a life in poetry in which there are forms moving within and interpenetrating forms. Versions of Verlaineās
Saint Graal and
Parsifal and a translation of GĆ©rard de Nervalās
Les ChimeresĀ enter the picture; narrative bridges for the play
Adamās Way have their place in the process; and three major individual poemsāā"My Mother Would Be a Falconress," "A Shrine to Ameinias," and "Epilogos"āāamong others make for an interplay of frames of reference and meaning in which even such resounding blasts of outrage at the War in Vietnam as "Up Rising" and "The Soldiers" are not for the poet things in themselves but happenings in a poetry that involve all other parts of his experience.
This book title, Bending the Bow (Poetry), ISBN: 9780811200332, by Robert Duncan, published by New Directions (January 17, 1968) is available in paperback. Our minimum order quantity is 25 copies. All standard bulk book orders ship FREE in the continental USA and delivered in 4-10 business days.
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