Blowing up the Skirt of History (Recovered and Reanimated Plays by Early Canadian Women Dramatists, 1876-1920)

ISBN: 9780228003328
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$49.95
SKU:
9780228003328
Availability:
811.75
Minimum Purchase:
25 units
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Minimum Order: 25 copies per title

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Product Details

Author:
Kym Bird
Format:
Paperback
Pages:
352
Publisher:
McGill-Queen's University Press (January 16, 2021)
Imprint:
McGill-Queen's University Press
Language:
English
Audience:
College/higher education
ISBN-13:
9780228003328
ISBN-10:
0228003326
Weight:
24oz
Dimensions:
6.25" x 9.25"
File:
TWO RIVERS-PERSEUS-Perseus_Distribution_Customer_Group_Metadata_20260501115654-20260501.xml
Folder:
TWO RIVERS
List Price:
$49.95
Country of Origin:
Canada
As low as:
$43.96
Publisher Identifier:
P-PER
Discount Code:
H
Pub Discount:
35

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Overview

From history and politics to fantasy and farce, the first flourish of women's theatre in Canada questioned the discourses that formed and informed ideas of gender, sex, and sexuality. This book revives ten theatrical comedies that staged the promise of social change.

From history and politics to fantasy and farce, the first flourish of women's theatre in Canada questioned the discourses that formed and informed ideas of gender, sex, and sexuality. While still seduced by an abiding belief in the truth of separate spheres that mark out the hierarchies of men's and women's roles, these plays, in a variety of genres, challenged conventional notions of the private and public in the service of women's rights and social reform. Blowing up the Skirt of History revives ten theatrical comedies that staged the promise of social change, empowered a counterpublic of politically vocal and socially powerful women's voices, and put women's artistic work and lives in the spotlight. When middle- and upper-class women participated in the theatre - as audience members, as playwrights, and as producers - they in turn signalled its authenticity and acceptability. Informed by feminist materialism and public sphere theory as categories of reclamation and analysis, the book's general introduction situates the plays in Canadian women's history, politics, ideologies of gender, theatrical modernism, colonialism, and a newly industrializing nation. Introductions to each work explore the playwrights' biographies, their political activity, and their literary output. Additionally they recount each play's production history and historicize the ways in which it intervenes in the ideologies of the age. Blowing up the Skirt of History reconstructs a long-overlooked corpus of early dramatic writing and restores it to Canadian theatrical history. These plays, and others like them, are exemplars of the types of theatre that became increasingly appropriate to and supportive of middle- and upper-class Anglo-Canadian women's culture over the turn of the twentieth century.

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