Overview
Documentary literature became an international phenomenon on the cultural and political scene in the 1960s and 1970s. From the American New Journalism in works by such writers as Norman Mailer and Tom Wolfe to the German Industriereportagen by Günther Wallraff and others, documentarism presented a variety of controversial interplays between facts and fiction labeled as ‘faction,' ‘fables of fact' or the like.
Scandinavian literature made important and unique contributions to this international movement, and Documentarism in Scandinavian Literature is the first comprehensive volume ever published on the historical significance and future implications of these Nordic dimensions of documentarism and their international context. The volume is centered on Swedish documentary literature in the 1960s and 1970s — and on such major writers as Per Olov Enquist, Sven Lindqvist, Sara Lidman, and Per Olov Sundman — but the powerful voices of Danish writer Thorkild Hansen and Norwegian novelist Dag Solstad are also heard in its critical concert.
The diversity of Documentarism in Scandinavian Literature is further enhanced by surveys and analyses of the historical background for more recent works and activities, and by theoretical inquiries into the epistemological status of documentarism, its theoretical, narrative, and theatrical devices, its predominant genres and links to other modes of mass communication, and its political affiliations and implications.
For readers already familiar with its subject matter Documentarism in Scandinavian Literature offers an opportunity to revisit and recontextualize a crucial moment in their recent cultural past. For readers who have yet to be exposed to documentary works of fiction, the volume presents a timely theoretical, historical, and critical introduction to the key problematics and potentials of their novel field of interest. Whether viewed as part of the past or part of the present, documentarism remains an intellectual challenge, which this volume is aimed at addressing.
Documentarism in Scandinavian Literature is edited by two Scandinavian scholars living abroad, and its essays are written by senior and junior scholars and critics from Scandinavia, Europe, and America; an interview with Per Olov Enquist and an autobio-graphical piece by Sven Lindqvist complete the volume.
Scandinavian literature made important and unique contributions to this international movement, and Documentarism in Scandinavian Literature is the first comprehensive volume ever published on the historical significance and future implications of these Nordic dimensions of documentarism and their international context. The volume is centered on Swedish documentary literature in the 1960s and 1970s — and on such major writers as Per Olov Enquist, Sven Lindqvist, Sara Lidman, and Per Olov Sundman — but the powerful voices of Danish writer Thorkild Hansen and Norwegian novelist Dag Solstad are also heard in its critical concert.
The diversity of Documentarism in Scandinavian Literature is further enhanced by surveys and analyses of the historical background for more recent works and activities, and by theoretical inquiries into the epistemological status of documentarism, its theoretical, narrative, and theatrical devices, its predominant genres and links to other modes of mass communication, and its political affiliations and implications.
For readers already familiar with its subject matter Documentarism in Scandinavian Literature offers an opportunity to revisit and recontextualize a crucial moment in their recent cultural past. For readers who have yet to be exposed to documentary works of fiction, the volume presents a timely theoretical, historical, and critical introduction to the key problematics and potentials of their novel field of interest. Whether viewed as part of the past or part of the present, documentarism remains an intellectual challenge, which this volume is aimed at addressing.
Documentarism in Scandinavian Literature is edited by two Scandinavian scholars living abroad, and its essays are written by senior and junior scholars and critics from Scandinavia, Europe, and America; an interview with Per Olov Enquist and an autobio-graphical piece by Sven Lindqvist complete the volume.
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