Framed between the Great Depression and the oil embargo of the early 1970s, the distinguished career of the native Arkansan is represented on four continents, in thirteen foreign countries, and in thirty-two statesāhis masterpiece the American Embassy chancery (1953ā59) in New Delhi, India. Recognized in his prime as one of the nationās most sought-after architects, Stoneās vast and prestigious workload brought prosperity on a scale rare in architecture in his time; after the death of Frank Lloyd Wright, some supporters thought Stone seemed destined to take the place of his personal hero and close friend as the great national architect.
But Stone also drew divergent reactions. Such International Style buildings as his Museum of Modern Art (1935ā39) in New York City, an austere, unornamented volume, won critical approval; in contrast, his monumental postwar architectureāthe John F. Kennedy Center for the Performing Arts (1958ā71) in Washington, DC, among the best knownāexposed popular tastes by offering a broader definition of Modernism inclusive of decoration.
Enhanced interest in Stoneās architecture has been spurred by the reconsideration of a number of his buildings. The former Gallery of Modern Art (1958ā64) at 2 Columbus Circle in New York City, which was lost to a near complete makeover, stimulated vigorous and at times contentious discussion that made evident the need for an objective reassessment. His legacyāof giving form to the aspirations of the emerging consumer culture and of reconciling Modernism with the dynamism of the ageāis established in Edward Durell Stone: Modernismās Populist Architect.
This book title, Edward Durell Stone (Modernism's Populist Architect), ISBN: 9780393733013, by Mary Anne Hunting, published by W. W. Norton & Company (November 26, 2012) is available in hardcover. Our minimum order quantity is 25 copies. All standard bulk book orders ship FREE in the continental USA and delivered in 4-10 business days.
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