Picturing Frederick Douglass is a work that promises to revolutionize our knowledge of race and photography in nineteenth-century America. Teeming with historical detail, it is filled with surprises, chief among them the fact that neither George Custer nor Walt Whitman, and not even Abraham Lincoln, was the most photographed American of that century. In fact, it was Frederick Douglass (1818ā1895), the ex-slave turned leading abolitionist, eloquent orator, and seminal writer whose fiery speeches transformed him into one of the most renowned and popular agitators of his age. Now, as a result of the groundbreaking research of John Stauffer, Zoe Trodd, and Celeste-Marie Bernier, Douglass emerges as a leading pioneer in photography, both as a stately subject and as a prescient theorist who believed in the explosive social power of what was then just a nascent art form.
Indeed, Frederick Douglass was in love with photography. During the four years of Civil War, he wrote more extensively on the subject than any other American, even while recognizing that his audiences were "riveted" by the war and wanted a speech only on "this mighty struggle." He frequented photographersā studios regularly and sat for his portrait whenever he could. To Douglass, photography was the great "democratic art" that would finally assert black humanity in place of the slave "thing" and at the same time counter the blackface minstrelsy caricatures that had come to define the public perception of what it meant to be black. As a result, his legacy is inseparable from his portrait gallery, which contains 160 separate photographs.
At last, all of these photographs have been collected into a single volume, giving us an incomparable visual biography of a man whose prophetic vision and creative genius knew no bounds. Chronologically arranged and generously captioned, from the first picture taken in around 1841 to the last in 1895, each of the imagesāmany published here for the first timeāemphasizes Douglass's evolution as a man, artist, and leader. Also included are other representations of Douglass during his lifetime and afterāsuch as paintings, statues, and satirical cartoonsāas well as Douglassās own writings on visual aesthetics, which have never before been transcribed from his own handwritten drafts.
The comprehensive introduction by the authors, along with headnotes for each section, an essay by Henry Louis Gates, Jr., and an afterword by Kenneth B. Morris, Jr.āa direct Douglass descendentāprovide the definitive examination of Douglass's intellectual, philosophical, and political relationships to aesthetics. Taken together, this landmark work canonizes Frederick Douglass through a form he appreciated the most: photography.
Featuring:
Contributions from Henry Louis Gates, Jr., and Kenneth B. Morris, Jr. (a direct Douglass descendent)
160 separate photographs of Douglassāmany of which have never been publicly seen and were long lost to history
A collection of contemporaneous artwork that shows how powerful Douglassās photographic legacy remains today, over a century after his death
All Douglassās previously unpublished writings and speeches on visual aesthetics
This book title, Picturing Frederick Douglass (An Illustrated Biography of the Nineteenth Century's Most Photographed American), ISBN: 9780871404688, by John Stauffer, Zoe Trodd, Celeste-Marie Bernier, Henry Louis Gates Jr., Kenneth B. Morris Jr, published by Liveright (November 2, 2015) is available in hardcover. Our minimum order quantity is 25 copies. All standard bulk book orders ship FREE in the continental USA and delivered in 4-10 business days.
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