Robert Ryman (Used Paint)

ISBN: 9780262551205
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Overview

This first book-length study of Robert Ryman argues that his work is a continuous experiment in the possibilities of painting.

In this first book-length study of Robert Ryman, Suzanne Hudson traces the artist's production from his first paintings in the early 1950s, many of which have never been exhibited or reproduced, to his recent gallery shows. Ryman's largely white-on-white paintings represent his careful working over of painting's conventions at their most radically reduced. Through close readings of the work, Hudson casts Ryman as a painter for whom painting was conducted as a continuous personal investigation. Ryman's methodā€”an act of ā€œlearning by doingā€ā€”as well as his conception of painting as ā€œused paintā€ sets him apart from second-generation abstract expressionists, minimalists, or conceptualists.

Ryman (born in 1930) is a self-taught artist who began to paint in earnest while working as a guard at the Museum of Modern Art in New York in the 1950s. Hudson argues that Ryman's approach to painting developed from quotidian contact with the story of modern painting as assembled by MoMA director and curator Alfred Barr and rendered widely accessible by director of the education department Victor D'Amico and colleagues. Ryman's introduction to artistic practice within the (white) walls of MoMA, Hudson contends, was shaped by an institutional ethos of experiential learning. (Others who worked at the MoMA during these years include Lucy Lippard, who married Ryman in 1961; Dan Flavin, another guard; and Sol LeWitt, a desk assistant.)

Hudson's chaptersā€”ā€œPrimer,ā€ ā€œPaint,ā€ ā€œSupport,ā€ ā€œEdge,ā€ and ā€œWall,ā€ named after the most basic elements of the artist's workā€”eloquently explore Ryman's ongoing experiment in what makes a painting a painting. Ryman's work, she writes, tests the medium's material and conceptual possibilities. It signals neither the end of painting nor guarantees its continued longevity but keeps the prospect of painting an open question, answerable only through the production of new paintings.

This book title, Robert Ryman (Used Paint), ISBN: 9780262551205, by Suzanne P. Hudson, published by MIT Press (February 6, 2024) is available in paperback. Our minimum order quantity is 25 copies. All standard bulk book orders ship FREE in the continental USA and delivered in 4-10 business days.

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Product Details

Author:
Suzanne P. Hudson
Format:
Paperback
Pages:
336
Publisher:
MIT Press (February 6, 2024)
Language:
English
Audience:
General/trade
ISBN-13:
9780262551205
ISBN-10:
0262551209
Weight:
13oz
Dimensions:
7" x 9"
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_full_active_D20240208T185739_146352329-20240208.xml
Folder:
RandomHouse
List Price:
$45.00
Country of Origin:
United States
Series:
October Books
Case Pack:
24
As low as:
$22.50
Shipping Origin:
Crawfordsville, IN
Publisher Identifier:
P-RH
Discount Code:
A

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